the limits of blind flailing
I need one more synth part in the piece that I am working on. One. More. Part. I can hear it in my head. It sounds great. But the synths! They are sorcery to me. All these knobs and sliders and toggles… I don’t know what they do, because they all seem to affect each other, so every time I touch a knob it changes the sound in new and exciting ways.
That means it’s learning time. Thanks to the FL Studio documentation and permission to use the work printer for personal things, I have manuals for my most-used synthesizers. I’m starting with the most confusing one, Sytrus, and holy crap. There is a whole vocabulary to learn when it comes to using digital audio tools. There are things going on that you just never have to think about as a guitarist or a drummer in a band.
It’s a slow process, but it’s worth it. When I think about how many hours I’ve wasted just randomly clicking things until I got a good-enough sound, I get excited at the thought of one day knowing what I’m doing. I’ll be able to deal with the technical crap more quickly and move on to the important part — writing music. There have been nights where I sat down and started turning knobs… and then went to bed three hours later with only a couple of sounds that were close to what I wanted. No actual creation was involved, just getting myself ready to start creating the next day. It’s immensely frustrating, but right now it’s the only way I know how to work. I want to change that.
Do you have any time-wasting practices that could be solved by spending a week or two in student-mode? You should consider trying it. I’ll let you know how it works out for me.


